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Empire of Great Brightness is an innovative and accessible history of a high point in Chinese culture as explored through the riches of its images and objects. Emphasizing the vibrant interactions between China and the rest of Asia at this period, it challenges notions of Ming China as a culture closed off from the rest of the world. Eminent historian Craig Clunas uses a wide range of pictures and objects from Ming China to illustrate areas such as painting and ceramics. He also draws on items like weapons and textiles from public and private collections, as well as contemporary sources from government edicts to novels, to illuminate this most diverse period of Chinese art and culture. Empire of Great Brightness offers a varied and stimulating resource for scholars of China's cultural history, historians and art historians of related aspects of the early modern world, and readers who are intrigued by China's past.   "An excellent companion for the study of Ming art, as well as giving established scholars food for thought and engaging in Ming Chinese culture."--Art Newspaper "This is an eminently readable history of the high point of Chinese cultures, seen through the riches of its images and objects."--Asian Art Survey

From ancient Chinese civilization to the postmodern world Organized along a global timeline, A Global History of Architecture presents an innovative approach to the study of architectural history. Spanning from 3,500 B.C.E. to the present, this unique guide is written by an all-star team of architectural experts in their fields who emphasize the connections, contrasts, and influences of architectural movements throughout history. The architectural history of the world comes to life through a unified framework for interpreting and understanding architecture, supplemented by rich drawings from the renowned Frank Ching as well as brilliant photographs. Architecture and art history enthusiasts will find A Global History of Architecture perpetually at their fingertips.

In this groundbreaking book, James Cahill expands the field of Chinese pictorial art history, opening both scholarly studies and popular appreciation to vernacular paintings, "pictures for use and pleasure." These were works commissioned and appreciated during the seventeenth and eighteenth centuries by the non-elites of Chinese society, including women. Traditional Chinese collectors, like present-day scholars of Chinese painting, have favored the "literati" paintings of the Chinese male elite, disparaging vernacular works, often intended as decorations or produced to mark a special occasion. Cahill challenges the dominant dogma and doctrine of the literati, showing how the vernacular images, both beautiful and appealing, strengthen our understanding of High Qing culture. They bring to light the Qing or Manchu emperors' fascination with erotic culture in the thriving cities of the Yangtze Delta and demonstrate the growth of figure painting in and around Beijing's imperial court. They also revise our understanding of gender roles and show how Chinese artists made use of European styles. By introducing a large, rich body of works, Pictures for Use and Pleasure opens new windows on later Chinese life and society.